![]() “I want to paint the indescribable: moments that enthrall and challenge me with a stream of questions that continue to build over time,” Fadojutimi said. The hues evoke the inks used in a computer’s printing process.įadojutimi’s tangles and snares further suggest ideas about the relationship between technology and art, considering what it means to make something as analog as a painting in the digital age. Its piece, A point to pointlessness (2019), features looping, cord-like navy and marigold lines against a backdrop of what appear to be thicker, more languid strokes of muddied magenta, blue, and yellow. In December, ICA Miami announced it would be the first institution to acquire Fadojutimi’s work. Her brand of gestural abstraction indeed draws attention to the singularity of her own mark-making. ![]() “I believe my process is no more unique than I am,” said Fadojutimi. Her works give viewers a veritable buffet of lines to follow and connections to make. Jadé Fadojutimi’s canvases burst with energetic brushstrokes, suggestive shapes, and a youthful color palette. Despite the diversity of these artists’ practices, a near-mystical devotion to the act of making and a desire to communicate via symbols and hues unites them all. They explore what it means to make a painting in the digital age and use contemporary research to generate new patterns and designs. They’re more interested in the infinite ways paint can be applied to develop suggestive, beguiling, and transcendent compositions. “I would consider myself a figurative painter fundamentally,” artist Louise Giovanelli told me, “but I certainly have a loose idea of figuration-anything that suggests a form, even if this suggestion is faint.”Ī new generation of painters, all 40 years old or younger, are rethinking what we might call, for lack of a better term, abstraction. This principle can go the other way, as well. Even monochrome paintings can conjure familiar settings: A gray canvas might evoke a rock face, while a blue one may suggest the sea. ![]() Painters who are primarily concerned with the interactions between color, line, and form also make marks and shapes that may suggest body parts, landscapes, and objects traditionally relegated to still lifes. The divide between abstraction and figuration is a false, but helpful, dichotomy.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |